I have two gardens. One is a regular old vegetable garden of about 60 by 50 feet, with an anarchic raspberry patch in the middle. The other is my Monticello West garden, a raised bed of 24 by 12 feet. I call the Jefferson garden my Square IX garden, after one of the rectilinear garden plots Jefferson established on magnificent garden terrace on the south face of his little mountain near Charlottesville.
#1131 Fame & Public Attention
A Glance at the Kinder, Gentler Giant to Our North
CALGARY
Sometimes you just have to face disquieting truths. Take Canada for example. There it is just on the other side of the border filled with people more or less just like us, 36 million of them, most of whom speak English. You don't need an interpreter or a power converter to get along in Canada. Of all the countries an American might pass into, Canada provides the most immediate and comfortable fit.
I spent five days there last week consulting on a big film project. Here is my report. I'm sure I'm generalizing.
First, they are politer than we are. Not in some sort of stiff Queen's English sort of way—there is some of that—but in a manner more civil, with a more careful vocabulary, much less of the F-word, more complete sentences, more grammatical. Every transaction I had, with hotel clerks, restaurant personnel, bartenders, shopkeepers, and civil servants was marked by a kind of effortless politeness and respect. There was none of the "yeah, whadya want?" attitude that is now so common in American commerce. During my short stay in Alberta, I never heard a single rude remark. And the good cheer is not that sort of saccharin "Have a good day," or "Enjoy!" we sometimes get in our own cultural exchanges.
Second, the Canadians are healthier than we are. The United States of America, I am sorry to report, tops the scale in the global obesity rate. More than 30% of the American people are obese. That's more than a hundred million seriously fat Americans. Our beleaguered health care system has to lug us back from the brink with stents, bypass surgeries, diabetes regimens, pacemakers, blood pressure medicines, and a whole industry dedicated to trying to keep our digestive systems working in they way they were intended. Go into any American Costco and you will find a 200-foot aisle of floor to ceiling shelves filled with laxatives, fibers, and probiotics. When you survey the hundreds, maybe thousands, of products designed to help move out the massive amounts of processed bad food we keep shoveling in, it just makes you pause to wonder.
Canada's obesity rate is 14%. Half of ours. How can it be that a nearly identical people who live just across an imaginary 3,987-mile line can be twice as lean and just half as fat as we are? Surely Canada is a mirror we ought to gaze into from time to time. And not only are the Canadians less obese than we are, they are fitter and healthier looking too. My colleague and I walked along a beautiful bike and running trail that follows the Bow River through the city of Calgary. It was filled with smiling people of all ages, in casual sportswear that was not vulgar, people that it was a pleasure to gaze at.
Just in case you are wondering, the Canadian health care system spends $5,948 per capita every year, and the U.S. system spends $8,299 per person per year.
Third, them Canadians seem more curious and better educated than we are. Not smarter. I think they read more books and watch less television. My taxi driver this morning gave me a brief and thoughtful description of the state of Canada's relations with her Indian (First Nations) populations. I've had this same conversation in Montana and Wyoming. In our heartland, it tends to settle quickly into the "why can't they just get over it and be like us" argument, laced with sarcasm and contempt. Another taxi driver asked me where I was from, and then offered up a thoughtful and nuanced analysis of America's foreign policy. At customs a few minutes ago the agent, when he heard that I was traveling to Bismarck, asked what I knew about the sinking of the German warship Bismarck (May 1941), then gave me a ten-minute short course. It's as if they are all channeling public television up there.
Once, in New Hampshire, my dawn taxi driver turned around and said, "Wanna know what the most important nine-letter word in the English language is?" "Sure," I said. "D-I-S-C-I-P-L-I-N-E, discipline!" I said, "Ok, but that's ten letters." He said, "Whatevah."
The Canadians are more law abiding than we are. Vile Tories and Loyalists! Twice in four days when I walked from my hotel to the flat where we worked I found myself waiting five minutes at a stoplight (with no traffic either way) because the others on the sidewalk quietly paused for the light to turn. Try that in New York.
And of course the Canadians have much more restrictive gun control laws than we do (by which I mean they actually have some). But that of course is a subject that we are not allowed to talk about in the freest country that ever was. There is very little gun violence in Canada. You are five times more likely to die of gunshot wounds in the U.S. than in Canada.
I've always felt that Canada was America's better self, the same nation without steroids. There are little independent bookstores everywhere, and bread shops, and wine boutiques, and greengrocers, and cheese shops, and the widest possible range of ethnic restaurants. Their newspapers still look like newspapers, not People Magazine on newsprint. There is none of the mean streets honking and gesturing and jockeying for position one experiences in Chicago or New York. Somehow it just feels like a calmer and more generous world.
Don't get me wrong. I love America. I love the pulse and beat and boisterousness and bravado and irreverence of America, but in some ways we seem a much more tribal nation than Canada. We're a vast land of sharply defined identity groups that co-exist uneasily, in each other's face, each pursuing the "main chance." I think that in a land like ours where capitalism has been given such a loose leash, it runs a little amok, and gives a hardness and an edge to life. There is, in my view, a fair amount of cruelty and desperation embedded in our national operating system.
In nations where capitalism is treated not like a god, but like a powerful and at times problematic economic system that must be softened in its effects, in nations where there is widespread agreement that a dignified and ample safety net is the best way to create social security, life seems to be more relaxed and more generous.
Put it another way. Canada seems to have fewer fundamentalists than we do. By fundamentalists I don't just mean severe Christian evangelicals. I mean Second Amendment absolutists, and those who just want us to return to the protocols of the Founding Fathers, those who want us to pull out of the U.N., super-patriots, anti-evolutionists, and those who say "global warming is the greatest hoax ever perpetrated on the world." It's hard to imagine a Canadian super-patriot, just as it's hard to figure out what Canadian cuisine would be.
It's as if the Canadians take more breaths per minute than we do. They see what a good life they have huddled up at the top of the United States, protected by our massive security umbrella, the beneficiaries of our much more raw and energetic economy, always getting to be the more reasonable cousins of their best friends, those magnificent yahoos south of the border.
I would never want us to stop being America, but I think we would gain by taking some lessons from our genial cousins to the north.
#1130 National Parks
#1129 Jenkinson in Radford (Part Two)
Congratulations, Graduates, and Back Up Your Hard Drive
When I graduated from high school my parents bought me a portable typewriter. It was a brand new Hermes 3000 manual with a gray-green plastic body. It was a beautiful machine, and I used it for everything I wrote for the next 20 years. In fact, even now, one or two or three times per year, when I want to write something I regard as really important—a letter to a lost and found friend, a letter to my daughter about something that really matters, a letter to the governor—I get out my Hermes 3000 and hack away at it. There is something joyful and sensual in lining up two fresh sheets of paper and advancing them carefully over the platen, seeing if the mechanical Tab button still works to indent the date, and then staring at that blank sheet of paper while thinking about how to start. No delete button, or cut and paste feature, on a typewriter.
It always makes me a little sad, afterwards, to slide the cover over the machine and place it back on its special shelf.
I got a portable typewriter for graduation; my classmate Curt Pavlicek got a Corvette. I say this without undue bitterness, though I have managed to find a way to say at several times per year for 42 years in a row. And nothing makes me grumpier than some well-meaning friend who says, "But think of how much more use you got out of your typewriter than he from a car."
Wrong. And beside the point.
This is the time of the year (or was) when gift and stationery stores ran out of dictionaries and Cross pens. Probably some older people still give them as gifts, but they have essentially gone the way of Brylcreem and Burma Shave signs. I gave my last Webster's New Collegiate Dictionary to a high school graduate about ten years ago. He looked at me like I had given him a copy of the 1852 World Almanac for Albania or a rebuilt butter churn. In the age of spellcheck, the freestanding dictionary is regarded as a gift of desperation purchased by a fuddy-duddy who should have just written a check.
We all know that a dictionary is much more than a spelling guide. Free online dictionaries are so rudimentary as to be almost worthless. In his fascinating book, The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary, Simon Winchester offers the following wonderful sentence: "A dictionary is the history of a people from a certain point of view." Almost no day goes by when I do not consult the dictionary—Webster's Third New International whenever possible. After I have opened it to my word, I invariably smooth the sheets several times as if I were touching a fine piece of mahogany or ivory. At earlier points in my life, when I had more leisure, I made it a rule to check the three words before and the three words after the one I had just looked up.
Try defining the following words: truth, north, soul, beauty. She who can do this is a genius.
Over the course of time, I've been asked to deliver the graduation address at a dozen or so colleges and high schools. I always say yes if my schedule permits, because I love the excitement in the auditorium. The proud parents, the snippy and sarcastic siblings, the odd little family "demonstrations" and cheering sections for the kid they reckoned would never graduate from anything. The graduate—usually a boy—who performs some pre-rehearsed trick on the stage: a somersault, a pirouette, the thrusting open of the gown to reveal a Superman t-shirt, a flat-on-the-floor genuflection to the college president. You can usually discern the families of the ones who are the first in their line to graduate from college. I find that very moving. It is such an important moment in the history of that family. My father, a grateful veteran, said the GI Bill of Rights was one of the greatest pieces of social legislation in the history of the United States. He and my mother were both the first.
When I give the graduation address, I always start by saying, "I am well aware that the only thing that now stands between you and your college degree is the knucklehead at this podium, so I will try to be brief." And for once I usually am. And I always start with a comic line from Woody Allen's "My Speech to the Graduates": "More than at any other time in history, mankind faces a crossroads. One path leads to despair and utter hopelessness. The other, to total extinction. Let us pray we have the wisdom to choose correctly." But in recent years people have not laughed at this so heartily as before, and I am thinking of retiring it until the next American Era of Good Feelings.
Graduation addresses are paradoxical things. First, nobody is really listening. You are just a kind of necessary "fill." I don't remember what anyone said at my graduations, or who they were, but I'm pretty sure they said, "today is the first day of the rest of your life," or "this is not an end, but a beginning." Second, the kind of people colleges get to deliver graduation addresses are usually successful workaholics who have devoted every waking minute to achievement, but who now say, "Make sure you take time for your heart. Relax more. Just laze about sometimes. Buy a skateboard. Don't just stop and smell the roses. Grow some roses." But wait, Mr. Jobs, if you had done that, would we have the iPhone?
Third, assuming the graduation speaker actually has any insight about life (doubtful), that wisdom came from a long and winding journey through the maze of life, with triumphs and failures and periods of doubt and self-destruction, from sudden visitations of unearned misfortune, but also from unearned victories. You can't have wisdom sprinkled on your soul by someone who flew in first class yesterday evening for the reception. You have to earn it through the adventure and pain of an authentic life. You can tell an 18-year-old 100 times, "cherish your parents, for you will be them in thirty years," but it doesn't mean much until you figure it out for yourself. You're probably better off giving more useful advice. "Always back up your hard drive." "Get out of your way." "The road to success is dotted with many tempting parking places."
Fourth, nobody's listening.
When I left the country to study abroad for a couple of years, I asked my father, a brainy and thoughtful man, for his advice. He paused. And then he said, "Never kill a cop." He went on to explain, "If you kill a cop, you will be known as a cop killer, and all the cops on the beat will be after you." Actually, that is really good advice, the only advice that I can honestly say I have hearkened to in life, and so far it has worked out pretty well.
When I graduated from college, my father sent me a fabulous gift that could be contained in a stamped envelope. I opened it on graduation day at the University of Minnesota. I quote it in its entirety. "Dear Son, Your college experience has now cost your mother and me $17,345.67. Congratulations. Best wishes to you in your future endeavors."
Your was underlined.
Photograph from the Library of Congress, 3 June 1914.
Jefferson: Seems Content on the $2 Bill!
I feel much alarmed at the prospect of seeing General Jackson President. He is one of the most unfit men I know of for such a place. He has had very little respect for laws and constitutions, and is, in fact, an able military chief. His passions are terrible. When I was President of the Senate, he was Senator; and he could never speak on account of the rashness of his feelings. I have seen him attempt it repeatedly, and as often choke with rage. His passions are, no doubt, cooler now; he has been much tried since I knew him, but he is a dangerous man.
Daniel Webster’s Interview with Jefferson
1824
Thomas Jefferson was no fan of Andrew Jackson, whom he regarded as a vulgarian, a man of rashness and passion, and a duelist. They dined together at Jefferson's retreat home Poplar Forest in August 1815. Jackson was still riding high from his stunning victory over the British at the Battle of New Orleans (December 24, 1814-January 8, 1815).
Jackson was engaged in a large number of "affairs of honor," several of which found their way to the dueling grounds. On May 30, 1806, Jackson killed a man named Charles Dickinson in a duel. Dickinson had not only accused the future President of cheating him on a bet involving horse racing, but of insulting Jackson's wife Rachel, whom Dickinson called a bigamist.
Jackson's "Americans" appeared in force at his first inauguration on March 4, 1829. After the ceremony, the first held on the East Portico of the Capitol, the mob forced its way into the White House, climbed through windows, stood on the furniture, and tore down draperies. In order to clear the White House, bowls of punch and other hard liquors were place on the front lawn.
Needless to say, this was not the sort of dignified republic Jefferson had in mind. He was, all of his life, fearful of the role of popular military leaders in the governance of a free society.
Given that, plus Jefferson's antagonism to paper currency, I doubt that he would lose much sleep over the removal of Andrew Jackson from the $20 bill. Jackson displaced Grover Cleveland on the $20 back in 1928.
Whether he would be in favor of replacing Jackson with Harriet Tubman (ca. 1820-1913) is another question, of course.
Like most Virginia slaveholders, Jefferson lived in fear of a general slave revolt, and helped to put down such minor revolts as that of Gabriel Prosser in 1800. Jefferson placed newspaper ads offering rewards for Monticello slaves who ran away. He regraded slavery as a nightmare and a violation of natural rights, but somehow managed to learn to live with the institutional all of his life. He freed only eight slaves: three in his lifetime, five at the time of his death in 1826. He would have been against the Underground Railroad (an anachronistic term for TJ).
Jefferson never met Harriet Tubman. It's not clear what she would have thought of Jefferson. Because he had written a passionate denunciation of slavery in Notes on the State of Virginia, he was often cited by abolitionists who, without forgetting that he was a lifelong slaveholder, nevertheless regarded Jefferson as an ally of careful manumission, a statesman (stuck in an institution he despised) who had the right core values on this subject. This probably gives Jefferson more credit than he deserves, but rhetorically speaking, he could be quoted as an abolitionist.
Jefferson would have preferred that money be stamped on precious metals, which have intrinsic value anywhere in the world. He feared that paper certificates could be manipulated by the "Hamiltonians," since the value of any bill ($1, $2, $100) is only what the government and the economy ascribe to it; otherwise, it is mere printed paper.
But if we must have paper currency, Jefferson would surely have preferred that we remove all visages of historical figures from our bills, to be replaced by such things as celebrate the beauty and sublimity of America, the new Garden of Eden. Perhaps the Natural Bridge in Virginia; the Confluence of the Shenandoah and Potomac at Harper's Ferry; the Great Falls of the Missouri River (discovered by Jefferson's protege Meriwether Lewis); the Source of the Mississippi; the Grand Canyon; etc.
In my own view, we should follow Britain and Europe's lead in placing cultural giants on our currency. Britain's decision in 2013 to place Jane Austen on the 10 pound note seems just right. What about Emily Dickinson, John Muir, Aaron Copland, Louis Armstrong; Mark Twain, Zora Neale Hurston, Henry David Thoreau, William Faulkner, or for that matter Harriet Tubman?
People often ask me what Jefferson would think about being on the seldom-used $2 bill. I doubt that he would care much, but he would not feel honored. The Library of Congress—now that's a proper tribute to Thomas Jefferson.
Further Reading:
- Thomas Jefferson and the Stony Mountains by Donald L. Jackson
- Poplar Forest and Thomas Jefferson by S. Allen Chambers
- Andrew Jackson by Robert V. Remini
- Read more about Daniel Webster's 1824 visit to Monticello.
More from the Thomas Jefferson Hour
#1128 Jenkinson in Radford (Part One)
A Video Bull Sale in the Heart of Rural America
A week or two ago I left work a little early and drove out to a ranch north of Wing, North Dakota, to attend a bull sale. When I told a colleague about it the day after my return, she laughed out loud (possibly even snorted) at what she regarded as the absurdity of an urbanized bookworm like me going to an authentic agricultural event. I was a little hurt by that. I tried to tell her that I have hauled my share of bales in my lifetime, and disked and cultivated thousands of acres, but she couldn't listen because she was walking away chuckling to herself.
I stopped in Wing briefly in hope of getting coffee and pie at the celebrated restaurant the Chat and Chew. I love rural nomenclature: Klassy Kuts; Hair Today, Gone Tomorrow; Toes & Tan; Tan-Tiffic (owner named Tiffany). But the Chat and Chew was closed (winter hours). So on I went.
The Vollmer Ranch is located where the rolling plains just begin to meet prairie pothole country. The meadowlarks sounded like they owned the territory, and the yard was filled with 75 pickups and trailers, with license plates from five or six states, including one from Missouri. This was a scene where a Ford F-150 would be regarded as a starter pickup.
I slipped into the sale barn as meekly as I could, because I had "stranger nerd" written all over me. I was one of the few not wearing cowboy boots and a shirt that started its retail life at Runnings, and I was I think certainly the only person in that barn not wearing blue jeans.
How can I describe the scene? It was a large red barn (a Morton building), with tables in the back covered with nice plastic tablecloths. Closer to the front there were risers on both sides, like the kind you would see in a small gymnasium. On the wall a large American flag, and about twenty feet away a bright yellow "Welcome to Bison Nation" flag. Near the doorway a spotlessly clean commercial refrigerator chock full of beverages. A card table with a wide range of cookies, bars, carrot cake, and other desserts, plus an endless box of purchased doughnuts, which one pre-adolescent boy in boots and hat did his best to tuck away.
Up in the booth (called the Block) were Sara and Troy Vollmer, she recording, he taking calls and talking to the auctioneer. Below them three giant screen televisions in front of the 50 or so folding chairs that were set up on the barn floor. This was a video bull sale. No bull ever entered the barn. Professional videographers had come several weeks before the sale to take high-resolution video of each of the featured bulls--walking, standing, drooling, glowering, exhibiting those parts for which they will be purchased. It has some of the feel of a video of a runway fashion show. A graphic on the bottom of the screen tells you the bull's sale number, which you then check against a glossy 24-page sale catalogue, which provides photographs of some (not all) of the bulls, and for each bull a series of data points that make no sense to me, but which explain their genealogy, birth date, birth weight, weaning weight, adjusted rib eye area, intra muscular fat content, and some data about their private parts that seemed a little personal.
The catalogue also has a thoughtful and generous welcome letter from Troy, with one color photo of his parents in front of a Christmas tree and another of Sara and Troy and their three daughters at Disney World. The three daughters look so innocent, hard working, cheerful, cute, and respectful, but with a hint of mischief, that it feels as if they were ordered from a 4H catalogue. Who would not want such children?
The auctioneer was a man named Roger Jacobs from Billings, Montana, but he has roots in southwestern North Dakota. He was absolutely perfect: tall, rail thin, straight as an arrow, in a crisp white shirt and a nondescript tie, with a big tan cowboy hat on his head. There was not an ounce of intra muscular fat on him. He looked like he might have been young Ronald Reagan's cousin twice removed. He was essentially all business, selling a bull on average every 24 seconds, but offering up a bit of commentary now and then ("This, folks, just might be the best bull in the yard," "This bull is ready to go to work"), and teasing some of the cattlemen he knew in the audience, "Ralph, I just know you are going to go ahead and buy something before the day's over!" It was a masterful performance. Among the buyers you could observe every form of bidding gesture known to man: the wink, the one-finger forehead touch, the big nod, the slight nod, the wrist tap, the "I know I'm payin' too much, but I'm going to do it I guess" smile. I was taking photographs from the hip, afraid to raise my camera to my eye lest I go home with "Rockytop 4199" in the trunk of my Honda.
I looked around at the hundred or so people who had gathered for the sale. Mostly men, most of them middle aged, strong, a little weathered and some a little gnarled up, men who have never been to a fitness club but who could lift and throw an elliptical training rig into the back of a pickup. Couples who have been together for a long time in isolated rural farms and ranches, sitting quietly side by side like the best sort of life partners. Some young men, bearded, studying the catalogue with a kind of wistfulness, trying to figure out what they can really afford just now. Half a dozen young women who look like they married a country boy before they quite thought it through and are still making the transition. Two or three young cowboys who have taken some trouble about how they look, with silk one-color neckerchiefs, and flattop cowboy hats, leaning back against the wall like characters out of a Marlboro ad, thumbs in their pockets. A big cattle buyer who exuded confidence in every possible way, whose slightest nod or grimace got the attention of the auctioneer. Weary older ranch women with one hand on their husband's shoulders.
There was such experience and character in their faces, such authenticity and integrity and self-reliance and rootedness that I choked up in the Vollmer sale barn and almost burst into tears. (I'm pretty sure that gets you booted out of the arena). Two weeks previously I had been sitting in the Church of the Gesu in Rome, the mothership of the worldwide Jesuit order, at the same hour of the afternoon, gazing at some of the most splendid Baroque artistry in the world. And now I was in the heart of the heart of America among no-nonsense agrarians who produce food for the rest of us, people who represent some of the very best of the American spirit.
That barn with those unself-conscious farmers and ranchers seemed profoundly removed from Syria and Afghanistan, from lower Manhattan and Washington, D.C., and pretty seriously removed even from Fargo and Bismarck and Grand Forks. I fell in love with North Dakota all over again.
And oh my the meal—brisket, a macaroni coleslaw salad, and a bean-bacon thing that just made you want to swear off health altogether.
#1127 Reading
This week, President Thomas Jefferson and host Dr. Kimberly Crowley discuss one of their favorite subjects: reading.
When a Flying Drop Kick Still Won the Day for Truth and Virtue
Some days I feel like the luckiest man alive. Here, for example, is the kind of mother I have. We exchange notes a couple of times per week. Yesterday morning, after a week-long silence, I got the following text: "Verne Gagne has died." Nothing more. Almost Biblical in its simplicity. The minute I read those telegraphic words my mind drifted off into an adolescent reverie.
Four plus decades ago, every Saturday night for several years my friend Robert ("Brother") and I used to make a homemade pizza (All Star Pizza) at his house, and watch grown men in tights, in grainy and flickering black and white images, lumber and bellow around the Minneapolis Auditorium. The giants of the "squared circle" were Verne Gagne and Mad Dog Vachon (and his brother the Butcher), the flying Frenchman Rene Goulet, Pampero Firpo the Wild Bull of the Pampas, the very capable Kenny Jay, and Iron Man George Gadaski. And of course the evil genius of professional wrestling, Dr. X, who had deposited a $1000 certified check in a Minneapolis bank for anyone who could break the Figure Four Leg Lock (once properly applied).
That's a great mother.
Rest in peace, Verne Gagne. If there is an All Star Heaven, I feel certain you will break the Figure Four Leg Lock no matter how it is applied, and quite possibly unmask Dr. X for the first time. May the marvelous old announcer Roger Kent be on hand to say, "Oooh, I hate to see that hold," and "Ladies and Gentlemen, that hold is banned in many states." Or his signature line: "That's an arm bar with a twist—sounds like a drink to me!"
My grandmother was pretty certain professional wrestling was real, not fake. She was curious about Gagne's elixir Gera Speed, which she reckoned had made him a superman, but we never ordered it. Saturday nights on the farm in Minnesota, she and I would watch All Star Wrestling with the sound turned low, so as not to wake Grandpa who had to be up at four to milk the cows. But she would get so worked up by some ring infraction—the absolute worst thing you could ever do was gouge Gagne's eyes with a foreign object—that she would cry out in protest and slap her knee, and pretty soon Grandpa would appear in the doorway in his homemade pajamas either to rebuke us severely or to call us "damned fools" and make some grimacing gesture in imitation of Mad Dog Vachon.
Verne Gagne, dead at 89.
"Well, after all," said my mother on the phone later, "he was a very old man." Let's see: Gagne 89, Mother 83, admittedly a youthful 83. I resisted the impulse for a smart aleck response. She read me the account of his life and death from the Minneapolis Tribune, mispronouncing some of the names of his celebrated opponents. She was never a true initiate. She couldn't tell a half nelson from a side headlock if her life depended on it. But I do not judge her (Matthew 7:1).
Nostalgia is a strange thing. I suppose the author Doug Larson is right, "Nostalgia is a file that removes the rough edges from the good old days." The years of All Star Wrestling were years of pain for me, which perhaps explains why I escaped every Saturday night to eat soggy, doughy peperoni pizza while watching grainy men in speedos bellow and gesticulate. It also explains why there were no dates.
My mother is one who is more likely to stride forward than look back, but she seems to be experiencing a wave of nostalgia these days. She reminded me on the phone last night that my father died 20 years ago this week, in the New Room of our house in Dickinson (still New in the family lexicon). I miss him every single day. Current events intrigued him. He could talk about whatever was passing in the world with insight and wit, and he always had his facts straight. You could not get him to watch All Star Wrestling with a cattle prod—apparently he had what are known as "human standards"—and since we had only one television, indeed one that required you to get up to change the channel, the voice of Roger Kent Ringside (as we called him) was never heard in our house.
When I was a child there was pro boxing on television on Saturday nights. My father would watch for a few minutes while reading the New Yorker in his favorite reading chair. For a few years there was also a Saturday night show called Have Gun Will Travel, starring Richard Boone as a gunslinger called Paladin. We had a special little funky family meal we invariably ate on Saturday nights. I'm sworn to secrecy about its contents, but I am permitted to divulge that it involved homemade hors-d'oeuvres, including, I'm sorry to say, Vienna Sausages.
After my call with my mother, I got out my first photo album to see how many All Star wrestlers I could identify. My parents gave me a 35mm camera for my 13th birthday—maybe the greatest gift of my life. They let me build a darkroom in a storage room just off the kitchen, and for the next four years I spent most of my free time knuckles deep in chemical (Dektol) and using what little cash I had to buy bulk 35mm film (Tri-X) and stiff yellow Kodak boxes of printing paper. My eccentric uncle Joe of Seattle gave me his darkroom equipment.
There was mystery in photography then, and craft, and ritual. Between the moment you snapped the photo (no auto focus, no auto aperture and shutter speed) and the time when you placed a dried print in front of another human being, there were several dozen discrete steps, involving total darkness, wire spools, a red darkroom light, chemical baths, paper cutters, framing wands, negative and print dryers. The process could break down at any point, and if your sister burst into the room to brush her teeth, the whole enterprise could be lost.
My little 5x7 homemade album contains some of the first hundred photos I took and printed. Talk about nostalgia. Pictures of our Schnauzer "Scamp" as a tiny puppy. Pictures of an unhappy family vacation in Winnipeg. My father reading in his chair. My mother in the 70s: big glasses and big hair. My confirmation: me, impossibly young and innocent, wearing pants I had grown out of, my sponsor Robert Burda looking sponsory. Photos of Robert (Brother) with his Dalmatians. A photo of the Ole Reb yodeling reveille at KFYR. My first ham radio kit.
A photo (one of hundreds taken) of our round television screen, with Neil Armstrong and Buzz Aldrin bouncing around the moon: July 20, 1969, affixed with yellowing Scotch tape to the page, with my youthful handwriting, all patriotism and techno-pride: "Man Walks on the Moon!!!"
And there he is, Verne Gagne, undisputed Heavyweight Champion of the World standing near the turnbuckle in the Trinity High School gym in Dickinson, legs spread in triumph, looking handsome and virile and, well, pretty angry (through his smile), while on his knees before him is Mad Dog Vachon, arms stretched out in supplication, begging for his sorry life.
Godspeed Verne Gagne.
May your cape be newly dry-cleaned, and your entrance fees be paid.
How Would Jefferson Respond to the Baltimore Riots?
“The spirit of resistance to government is so valuable on certain occasions, that I wish it to be always kept alive. It will often be exercised when wrong, but better so than not to be exercised at all. I like a little rebellion now and then. It is like a storm in the Atmosphere."
— Thomas Jefferson to Abigail Adams
Abigail Adams was not amused. But Jefferson was quite serious. He was writing about Shays' Rebellion in western Massachusetts in 1786. While most of the Founders, including George Washington, regarded the rebellion as an outbreak of lawlessness, anarchy, and fundamental disrespect for authority, Jefferson defended the rebels.
Jefferson believed that people do not rebel for no purpose. In other words, he believed that most people want to live quietly, go about their business, and steer clear of trouble, but that when conditions became intolerable, when they perceived "a long train of abuses and usurpations," as he put it in the Declaration of Independence, they had a right (even a duty) to raise the temperature of their discontentment until it got the attention of their public representatives. Jefferson believed that almost everyone would prefer to use peaceful means to achieve reforms, but that such tools as petition, remonstrance, letters to members of Congress, broadsides, pamphlets, protest parades, and sermons did not always, or even often, achieve their ends.
Then--when all peaceful means had been exhausted--Jefferson believed that it was permissible for the people to rebel.
He wrote similar letters about Shays' Rebellion to James Madison and others, and he later defended the French Revolution's moments of violence, including the Reign of Terror.
Fair enough. That is part of the historical record. Even Jefferson's friends were shocked by his defense of blood as the manure of the "Tree of Liberty." But he seems to have been in earnest.
But would Jefferson argue that the African-American community in Baltimore in 2015 has a right to engage in rioting and looting in the face of what it regards as structural racism, overt racism, profiling, and excessive use of force among police officers and the judicial system?
Hard to know.
He was not a "law and order man." He would certainly acknowledge that the first duty of authorities in Baltimore and elsewhere is to to maintain order and restore peace--as gently as possible but as forcibly as necessary. That is why they have been elected and appointed by the people of Baltimore and Maryland. But he routinely called for treating rebellious citizens with mildness and even with a kind of admiration.
Easy for him to say from his lunar perspective; he is not one of the property owners whose shops and merchandise have been destroyed by looting.
The black citizens of Baltimore have gotten the attention of not only city and state authorities, but of the nation and world. Once order has been restored and tempers slip a little below the flash point, there will now certainly be a serious public conversation, even a national conversation, about race and the law, the protocols of the nation's police forces, appropriate uses of force, the deep frustrations of the African-American community, and the lingering race prejudices in American life.
And I'm guessing the events in Ferguson and Baltimore (and elsewhere) will lead to reforms.
If so, the riots (which Jefferson would regard as the spontaneous outpouring of public rage when no other tool any longer seemed to be efficacious) will have served their Jeffersonian purpose. Those who renounce violence altogether, Jefferson believed, will not remain free very long.
On the other hand, Jefferson's serenity with respect to rebellion broke down entirely when it involved African-Americans and slavery. Like most other southern planters and slave holders, Jefferson lived in a kind of morbid fear of a widespread race revolt, acknowledged that the justice would be on the side of the slaves, but nevertheless insisted that his own white culture had no choice but to crush even the merest hint of slave rebellion.
When slave Gabriel Prosser led a slave revolt near Richmond, Virginia, in the late summer of 1800, Jefferson supported his protege James Monroe in what became a ruthless and vengeful response to the revolt. Altogether 26 slaves were publicly hanged, including Gabriel and his two brothers.
It's hard to think of Jefferson looking mildly on any rebellion led by African-Americans, even 200 years after his own time.
As usual, Jefferson provides an inconsistent lens on the key fissures of the American experience. One thing is certain: no other Founding Father would have been capable of writing the letter TJ wrote to Abigail Adams, liking "a little rebellion now and then," but for all of that Jefferson was never able successfully to transcend his race prejudices.
Read Jefferson’s letter to the Abigail Adams on February 22, 1787.
Further Reading:
The Long Affair: Thomas Jefferson and the French Revolution, 1785-1800
by Conor Cruise O'Brien
The Radical Politics of Thomas Jefferson
by Richard K. Matthews
Master of the Mountain: Thomas Jefferson and His Slaves
by Henry Wiencek
I Am Proud and a Little Surprised to Be a Chautauquan
#1126 Art of Writing
The Death of Ivan Doig Leaves a Vacuum in Plains Writing
I was so sorry to learn that Ivan Doig has died—another great blow to Great Plains literature. First, back in November, Colorado's great Kent Haruf died, the author of Plainsong (1999), and now Doig, who was 75 and living in Seattle. Doug is the author of 16 books, mostly set in central or eastern Montana. People who love all of his work get into arguments about whether his best book is the novel Dancing at the Rascal Fair (1987) or This House of Sky, his 1979 memoir.
In each case we will have the consolation of a posthumous book. Haruf's Our Souls at Night is due to be released in May. Doig's Last Bus to Wisdom is due out on August 18. I've pre-ordered them both. Doig and Haruf were two of the giants of Great Plains literature. My plan now is to read all of Doig's books that I have so far overlooked.
Doig had a beautiful, quiet, brooding prose style, understated, but more powerful because he was not straining to capture the Great Plains and Intermountain West in one magnificent paragraph of purple prose. He understood that the kind of people who pioneered the farm country of Montana were strong, rough, sexist, pragmatic; basic in their outlook but with a lot more going on in their souls than they had access to on most days. Drink was the way they coped, or coped when prayer and hard work weren't sufficient, and drink was the magic key that opened the door to all that was dark and unresolved in their lives. In reading Doig you get a sense of what it took to make Montana (or any Great Plains state), and you cannot help wonder if we, the great, great grandchildren of those "giants in the earth" have enough of the right stuff to take things to the next level.
A number of years ago, Doig described his muted but poetic prose style: "My eight or nine published poems," he wrote, "showed me that I lacked a poet's final skill; the one Yeats called closing a poem with the click of a well-made box. But still wanting to work at stretching the craft of writing toward the areas where it mysteriously starts to be art, I began working on what Norman Maclean has called the poetry under the prose—a lyrical language, with what I call a poetry of the vernacular in how my characters speak on the page."
The poetry under the prose. You can hear it in this short passage from Doig: "It came to me more as a whisper of suggestion than the fundamental adage that it is - if this is not biblical, I shall always believe it should be - that all of us need someone who loves us enough to forgive us despite the history." You can feel the melancholy in that, and some resignation. Doig understood that if we concentrated too much on "the history," we'd have to walk away from almost everyone we know, and vice versa.
I remember reading This House of Sky twenty years ago with the shock of recognition that comes when you discover that a major artist is writing about your world. I was living on a farm in Kansas at the time, in a village so tiny that the vast plains just ate you up. When you drove the section line roads or even the asphalt farm to market roads through that country, you almost had an out of body experience, almost could see your pickup from high above, as from a blimp, as it threaded its way on the long straight roads trailing dust through the endless undifferentiated countryside. There was so much sky in every direction, with thunderheads beginning to gather up out on the western horizon, so much flat or gently rolling land, dotted here and there with abandoned farmsteads, and every few miles a broad new ranch style farm house with fifteen cars. That was a perfect setting for reading This House of Sky. Doig's prose is the kind that makes you ache—for all that you have lost, for all that is inevitably lost, for the ways in which humans, no matter how intimate, work at cross purposes and damage each other's lives. You ache too to be in the presence of someone who gets what you get about the strange improbable landscapes of the Great Plains. Someone who loves this place enough to grace it with the incredible discipline (and gift) of a book.
Landscape is always effectively one of the characters in a Doig novel. Montana has that effect. For Colorado's Haruf the sweep of the high plains of eastern Colorado is just the backdrop of special futility in which the dark lives of his characters blunder their way through struggles and bewilderment. Once he has given you Holt, Colorado, (based largely on Yuma, out on the eastern plains), and you have absorbed how little it promises to anyone who grows or turns or washes up there, Haruf concentrates on the sad and bewildered story he needs to tell.
You cannot think about those great writers without feeling sad about the state of North Dakota literature. We have no Doig or Haruf. Our greatest living writer, in my opinion, is Larry Woiwode, but he hasn't written a book for a very long time that attempted to wrestle Dakota life to the ground. His magnum opus, Beyond the Bedroom Wall, was devoured when it first appeared in 1975, not only because we all realized that it was a serious book written about us, but that it was also a true work of literature and something more than a just a good regional novel. That has both helped and hurt Beyond the Bedroom Wall. My sense is that it is not read nearly as much as it deserves these days. I like all of Woiwode's more recent work, particularly Acts: A Writer's Reflection on the Church, Writing, and His Own Life (1993), but what I naturally want from so enormous a talent is another run at the Great North Dakota Novel.
Louise Erdrich is our other greatest writer, in my view. I love her work and envy her amazing talent. I think her work carries with it a great moral imperative, that we (she) give voice to the lives and loves and struggles and stories of Native Americans, that what for most North Dakotans remains essentially an "invisible culture" receive the artistic and public attention it deserves. My slight quarrel with Louise Erdrich is that she chooses not to live among us; we need her, to inspire young writers, to testify before the legislature, to speak out on public questions, to block—thanks to her grace and dignity and modesty—cultural setbacks in white-Indian affairs that happen when homogenous cultures forget to look around to see all the other people in the room.
But where are our Ivan Doigs, our Kent Harufs, our Willa Cathers, our Mari Sandozes, our William Kittredges, our James Welches, our Linda Hasselstroms, our Dan O'Briens, our Larry Watsons? I know a number of North Dakota writers and poets, and admire them, but what we need now is our first next major work of North Dakota literature.
Someone who will have the creative horsepower and Great Plains life experience to write a sentence like this, Doig's, "The nature of love is that it catches you off guard, subjects you to rules you have never faced, some of them contradictory."
Bestriding the Mighty Mississippi at 33 Degrees Fahrenheit
Last weekend, I had some time off during a work visit to Bemidji, so I drove down to Itasca State Park to see the source of the Mississippi River. I suppose I have been there half a dozen times in my life, but never during the off season. It was a lovely windy spring day in northern Minnesota: temperature 40, winds gusting up to 25 mph. When I arrived at the visitors' center, there were only four cars parked in a lot worthy of a theme park or stadium. The other folks were there to walk their dogs.
The source of the Mississippi was established in 1832 by a geographer and ethnographer named Henry Rowe Schoolcraft (1793-1846). He had first ventured into the maze of interlocking lakes and streams of the upper Mississippi basin in 1820-1821, under the leadership of Lewis Cass, on an expedition designed (among other things) to determine the boundary between the United States and Canada. That expedition had decided that the source of the Mississippi was Upper Red Cedar Lake, which it dutifully if unimaginatively renamed Cass Lake.
Henry Schoolcraft was a serious student of Indian cultures. He would go on to write a massive six-volume collection called Indian Tribes of the United States. That study, published 1851-1857, is still one of the most important ethnographic works in American history. During his wanderings in the Cass Lake area, Schoolcraft was informed by an Ojibwe leader named Ozawindib that it was possible to find waters flowing into the Mississippi upstream from Lake Cass. With the help of Ozawindib and his family and followers, Schoolcraft pressed on in light craft over shallow winding waters, with great difficulty and much portaging, until he arrived at the place where today's Lake Itasca (then known as Elk Lake) spills over a little lip into a modest streambed.
Eureka.
Schoolcraft had found the true source of the mighty Mississippi River, 2,321 miles from its mouth below New Orleans, inscribing a watershed of 1,151,000 square miles. If you include the Missouri, the Missouri-Mississippi River ranks as the fourth longest river in the world; taken alone, it ranks about 15th.
Thank goodness Schoolcraft kept his ego in check and did not decide to name the source after himself. In other words, he had more class than Cass. Aware of the monumentality of the moment—he had solved one of the world's short list of geographic mysteries—he decided to call this spot the True Source, but in Latin, the language of learning. So he wrote out the Latin words Veritas (true) and Caput (head or source). (This may have been the suggestion of his traveling companion, the Reverend W. T. Boutwell.) Later in his life, Schoolcraft decided that Veritas Caput was too prosaic, too Linnaean, for a site of such romance and geographic significance, so he "Indianized" his Latin nomenclature. He saw that it was possible to clip the Latin phrase at both ends to form a more exotic place name: ver-Itasca-put. Itasca. The name has stuck.
Caught up in the flow of his own copious imagination, Schoolcraft later even wrote a poem, in the manner of Longfellow's Song of Hiawatha, about an Ojibwe woman named Itasca! You may think I'm making all of this up, but this is one of those moments in the history of exploration wherein truth is stranger than fiction. I knew some of this before last weekend, but I learned a great deal by wandering slowly through the excellent interpretive center at Itasca State Park. Already, I have ordered several books by and about Schoolcraft.
The quest for the sources of the world's principal rivers was one of the obsessions of the Second Great Age of Discovery (1768–1858). At precisely the same time Scottish explorer Mungo Park was searching for the source of the Niger in west Africa in 1805-06, Zebulon Pike was half-heartedly searching for the source of the Mississippi (Leech or Cass Lake, thought he), and America's greatest explorer Meriwether Lewis was searching for the source of what he called the "mighty and heretofore deemed endless Missouri River." Pike died in the War of 1812. Mungo Park was killed by natives in Africa. Lewis committed suicide three years after his return from his fabulous transcontinental journey. Maybe this source-hunting thing is not such a good idea.
You can get a sense of the mythological grandeur the Enlightenment attached to source-hunting by studying Meriwether Lewis's journal entry for August 12, 1805. "At the distance of 4 miles further the road took us to the most distant fountain of the waters of the mighty Missouri in surch of which we have spent so many toilsome days and wristless nights. thus far I had accomplished one of those great objects on which my mind has been unalterably fixed for many years, two miles below McNeal had exultingly stood with a foot on each side of this little rivulet and thanked his god that he had lived to bestride the mighty & heretofore deemed endless Missouri."
I believe this was the proudest moment of Lewis's life. My view is that Lewis's deepest passion was to bestride the previously unknown source of the Missouri River, and that the rest of the expedition's journey to the shore of the Pacific was less interesting to him, and much less satisfying. Indeed, Lewis had to travel hundreds of miles off what Jefferson called "the most direct and practicable" route to the Pacific to get to the source of the Missouri, and once he got there, he had to endure almost endless difficulties in getting back to a place (Missoula) where a trail would take his exploration team through the Rocky Mountains (the Bitterroots).
But here's the rub. Nobody any longer believes that Lewis's Trail Creek just this side of Lemhi Pass in Montana is the source of the Missouri River. Officially, the source is listed as Three Forks, where feeder tributaries the Gallatin, the Madison, and the Jefferson flow together northwest of Bozeman, Montana, to form the "Missouri proper." But if you want to get picky about it, the Veritas Caput is now said to be at Upper Red Rocks Lake southeast of Dillon, Montana, on the Wyoming, Montana border. I have been there with a high-ranking official of the North Dakota higher education system. I realized that he shared my sense of the solemnity and majesty of the site, some 3,902 miles from the Gulf of Mexico, when he said: "Yep. This would be a marvelous place if there were no mosquitoes."
Nowadays, with our more sophisticated sense of how watersheds work, we know that there is almost never a single "source" for any river, just as there is seldom a single "mouth." At both ends of their sinuous adventures, rivers tend to divide into tributaries, steams, creeks, and rivulets—into a grand maze of capillary feeders, no one of which can accurately be called the source of the river. At the Gulf end, the Missouri-Mississippi fragments into a wild capillary no man's land; and way up at the Rocky Mountain "source," it fragments into hundreds of rivulets, any one of which one might bestride to thank her or his God.
At Itasca, after I made sure that nobody was looking, I took off my shoes and socks and strode (actually it was more like winced and whined) across the Mississippi River. Twice. And I thanked God that I have a career that enables me to do really unwise things. Blue feet in a blue river under blue skies.
#1125 All Jenkinson
Wandering Alone in One of the Greatest Cities on Earth
#1124 All Jefferson
Easter in the Rain at St. Peter's Square
ROME
My various work projects had been so demanding that Easter 2015 had hardly even entered my mind before I boarded flights for Rome last Friday. I had no way of knowing that this would be the most intense Easter of my life.
Shortly after landing at Rome's Fiumicino airport on Easter eve, I found myself watching Mel Gibson's The Passion of the Christ (2004) with a dozen deeply devoted Catholic college students. I had never seen The Passion before, and I can affirm that I will never watch it again. In its own way the film's depiction of the last twelve hours of Jesus' life is gripping, but it is so unrelentingly and graphically violent that I had to cover my face a number of times just to get through it. It seemed to me that no body could ever endure so much grotesque physical abuse, that if Jesus had actually been subjected to the kind of torture depicted in the film, he would never have lived long enough to be crucified.
There are paradoxes here. We know that Jesus was crucified by the Roman authorities after being whipped and scourged and beaten. The Romans were ruthless about such things. So the depiction in The Passion of Christ is probably more realistic and historically accurate than we like to think. And—I get it—the point of Mel Gibson's film is to make us just as uncomfortable as possible without driving us out of the theater. How can we understand God's decision to make himself suffer the ultimate human degradation unless we have something like a real understanding of what that must have involved by way of physical and mental suffering?
As I watched The Passion in horror, I realized that my idea of the crucifixion has always been pretty vague and mythological. Whenever I have stood before Michelangelo's stunning Pieta in St. Peter's—one of the world's supreme works of sculpture—I have never once stopped to recognize that by the time Mary held her dead son in her arms, Jesus' body was torn in every way, pierced by a spear, whipped and scourged right down to the ribs, bloody, bruised, swollen, and profoundly disfigured. The perfection and artistic serenity of Michelangelo's treatment removes the bloodlust from the story, and lets us concentrate instead on the pity of the crucifixion, and even the divine dignity of it, rather than its sickening violence. I give Gibson credit for that—he made the torture and execution of Jesus real for me for the first time.
Too real. The film's obsession with graphic violence felt gratuitous to me. It turned my stomach rather than deepened my understanding of the sacrifice. I could not sleep for many hours, but during that time I was not praying to God or Jesus in praise or sorrow, I was just sick at heart at man's ingenuity in meting out pain to his fellow man.
One more note about the film. Just as Jesus began to climb the steep hill of Golgatha, carrying a cross that even a healthy man would have had trouble hoisting up the trail, a real thunderstorm broke over Rome. We all jumped from the unexpected flash of lightning, and exchanged nervous glances. The last forty minutes of The Passion were, for us, accompanied by a kind of angry orchestral thunderstorm.
On Easter Sunday we got up at first light to hasten by city bus to St. Peter's Square. An audience of more than a million pilgrims was expected. If we had any expectation of getting seats close to the platform on which Pope Francis would celebrate the mass, or for that matter to get any seats at all, we had to get to St. Peter's three full hours ahead of time, and then jostle our way to preferred seating once the security team began to let people pass through the magnetometers. At times it felt more like a badly organized Super Bowl than a Papal mass at the Vatican, but the students I was with were savvy and ready to forge their way (politely but unhesitatingly) to excellent seats. I do not exaggerate when I say that there were elderly nuns in the crowd who locked arms and surged forward like a Greek phalanx. People come from all over the world for this sacred occasion.
When we took our seats, about ten rows back from the protective fence, it had begun to drizzle. Just three hours to go! Then it began to rain. Then it began to rain hard. Then it began to rain cats and dogs. I had brought a couple of books in my backpack to occupy the long wait before the mass began, but they would have been ruined in minutes if I had pulled them out. By eight a.m. the crowd entirely filled the vastness of St. Peter's Square and spilled over blocks deep in every direction. Just two and a quarter hours to go! As far as I could tell there was roughly one umbrella for each hundred people at the Vatican. If ever there was a moment that called for a loaves and fishes miracle, this was it. The number of umbrellas did actually seem to increase over time, but it rained well more than an inch Easter morning, perhaps two, and no matter how many umbrellas interlocked to create a kind of ad hoc pilgrim's awning, that water had to go somewhere. The net effect was not to keep us any dryer than we would have been bareheaded, but to concentrate the flood into icy rivulets that suddenly ran off the umbrella ahead of you (or behind you) and down your back.
By the time the mass began at 10:15 a.m. we were as wet and cold as it was possible to be, sitting in cheap plastic chairs that had become shallow pools of rain water, trying to get a glimpse of the Pope, or anything at all for that matter, through the sea of brightly colored umbrellas. We were about as close to Pope Francis as it was possible to get, and yet we could neither see him nor even see the giant Jumbotron that televised the event. Most of the students had begun to shiver, sodden with rain, chilled by wind, with the temperature at about 40 degrees.
Nevertheless, almost everyone who had come to St. Peter's Square stayed—because it was Easter, because individuals had ventured, at great expense, from all over the planet to experience this moment, because (we all had to feel) what's a little discomfort in the face of Jesus' agonies? We stayed, too, because we were in the presence of Pope Francis, who has in his remarkable ministry struck an unusually strong chord with the peoples of the world. My group stayed also because Tom Schulzetenberg, the director of UMary's Rome program, had been given the high honor of reading a short text to almost a million pilgrims.
Hours later, once we had gotten out of our soggy clothes and showered for a very long time, we broke bread together back at the Rome campus. I had smuggled in jelly beans and chocolate eggs and Jello from Dakota. Jello, it turns out, doesn't perform very well outside of its home court. Here in Rome it was just a dark red slurry on our plates.
This was the Easter I will never forget.
St. Peter's and the Vatican, Rome. Giovanni Battista Piranesi. 1750. From the New York Public Library Digital Collections.









This week on the Thomas Jefferson Hour, along with some listener questions, we present a discussion with Clay Jenkinson and Joe Ellis about the upcoming presidential election and the strong divisions in our nation between the two major political parties.
Clay and David offer a heartfelt thank you to 1776 Club members and share email responses to show #1245 This Thing of Darkness. They also discuss future plans for episodes, including wrapping up the Jefferson 101 series. David goes "off" when Clay tries to pass himself off as an ambivalent person.
A KKK hood over Jefferson’s head at one of the premier academic institutions of the United States? Columbia, I thought you taught your students to think, to discuss, to reflect, to ponder, to debate, to imagine, to explore rather than merely to posture in righteousness. Really, the students of Columbia are now joining the new American Culture of Outrage? I thought Columbia was above cliché.
President Jefferson answers listener mail including questions about civil disobedience, the dark side of Jefferson, political correctness and how the majority rules over the minority in our democracy.